屋頂庭院Roof Yard 20091211

!9#: 屋頂庭院Roof Yard 20091211

初試新百微鏡頭。Canon 5D Mark II with EF100mm f/2.8L macro IS USM Lens.

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Female Bettas

!9#: Female Bettas

Three of my female bettas. Over two weeks of pecking order in a 15 gallon tank now and they still flare and occasionally snap at each other; but otherwise, are not causing any significant damage to each other. In the midst of the pecking and flaring, I named them after Mortal Kombat characters. The white pastel is Sonya. The blue/red crowntail is Kitana (her tail looks like a fan to me). The steel blue is Sindel. I have a red one who is Mileena, but she is not shown here. Taken with the Canon EOS 5D Mark II with the Canon EF 100mm f/2.8L Macro IS USM.

Female Bettas

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A Good Canon Digital SLR Lens Is Worthy Of Its Price Tag

!9#: A Good Canon Digital SLR Lens Is Worthy Of Its Price Tag

Did you know that the lens is as important. If not more important, than the camera you are using? I use Canon models, so I am always on the lookout for the best Canon digital SLR lens that MY money can buy (I don't have deep pockets).

When I started taking digital photos with my first Olympus 3-megapixel point and shoot camera, I became obsessed with nature pictures. I was especially taken with macro and bird photography.

So now, when you pair Canon digital slr lens with nature, you are talking about image quality in its finest form. For some types of photography like family pictures or street journalism, the sharpness and detail are not quite as important as with nature photos.

I have had the occasion to "lose myself" in a "National Geographic" or "Outdoor Photographer" magazine, imagining that I was the nature photographer who submitted the award winning photos on those pages.

Those guys and gals who shoot for "National Geographic" use lenses that cost in the thousands of dollars... way too costly for my meager budget.

But getting a good quality Canon digital SLR lens can be accomplished on a smaller budget, and "award winning" images are possible, too.

When I say smaller budget, I am talking about, let's say, a bird lens of about 300mm f/4 with an extender. If you are shooting with a Digital Rebel or a 60D, you can have an effective range of about 600mm, give or take a few millimeters. You can get some excellent photos with that kind of setup.

Or consider a Canon 100mm macro lens. It is an amazing lens for under 0. There are lots of examples of award winning photos with this sweet little macro lens.

The great part about the better lenses is that they are not limited to nature photography. A good long distance lens can do very well with sports like soccer and football. And a 100mm lens is perfect for portraits.

Getting a good Canon digital SLR lens or two will give you years of gratification in your chosen hobby or profession.

A Good Canon Digital SLR Lens Is Worthy Of Its Price Tag

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Canon EF 70-200 F4 L IS Lens Review

!9# Canon EF 70-200 F4 L IS Lens Review

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Canon EF 70-200 F4 L IS, one of famous telephoto lenses of the photography world today, is comprised of 4 main important parts which are lens construction, a lens body, IS (Image Stabilizer system) and an aperture. I have been using this lens for awhile and I would like to share my review into 4 important parts as listed below.

Firstly, the lens construction is composed of 15 lens groups and 20 lens elements with a filter diameter of 67 mm and it has a focal length range from 70 mm to 200 mm. Moreover, there are 2 UD (Ultra-low Dispersion) lens elements and 1 fluorite lens element which help dramatically light dispersion, color balance, image sharpness and a vignette while minimizing ghosting and flare. It has the closet focusing distance of 1.2 m and the maximum magnification of 0.21 m. It is used for dispersing light reflected from objects into an image sensor in a camera.

Secondly, with a total weight of 760 gram, the lens body has a diameter of 76 mm and a length of 172. It has a strong white magnesium alloy case with black rubber cover at a zoom ring and a focal ring and a red ring showing as the Canon professional lens, called L-series lens, around a front part of the lens. It is used to protect the lens elements, the aperture, dust and moisture from outside.

Thirdly, the aperture is made of 8 circular diaphragm blades. Its maximum aperture (F-Stop number) is 4 and its minimum aperture (F-Stop number) is 32 throughout all focal length. Moreover, there is no an aperture ring at the back of the lens so the aperture must be adjusted by the camera only. Its functions are for controlling the amount of lighting coming into the image sensor and depth of field.

Finally, IS (Image Stabilizer system) contains a special gyro system which shifts lens in the gyro system in the opposite direction of hand shaking both x-axis and y-axis in order to compensate vertical and lateral movement of hands while taking photos. Consequently, the motion of IS will cancel out hand shaking directions and the light coming into the image sensor will be steady. It is very useful when photographers would like to take photographs in low shutter speed condition and it gives an equivalent effect of shutter speed approximately 4 stops. With the IS, it helps considerably photographers get sharp images in low shutter speed condition.

In conclusion, the 4 main important parts of the Canon EF 70-200 F4 L IS lens which are the construction, the lens body, the IS (Image Stabilizer system) and the aperture make this lens as the outstanding professional telephoto lens.

Canon EF 70-200 F4 L IS Lens Review

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Canon EF 100mm f2.8L IS USM macro lens

!9# Canon EF 100mm f2.8L IS USM macro lens

Bought a new macro lens of Canon. The EF 100mm f2,8 IS USM. This is a fantastic lens! Just love it!

Canon EF 100mm f2.8L IS USM macro lens

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Canon Portrait Lens On a Budget - How To Choose A Portrait Lens

!9# Canon Portrait Lens On a Budget - How To Choose A Portrait Lens

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Getting a good portrait lens is not difficult, but knowing which ones qualify is important. Before you go out and make a purchase, you should take a look into your camera bag to see if you may have a Canon portrait lens in there cleverly disguised as.. let's say a Macro lens or maybe a sports action lens.

The first issue is to determine what the qualifications of a good Canon portrait lens actually are. But in the process, keep in mind that you want to save money.

I hope this does not burst your bubble. I mean, photographers are kind of like fishermen and golfers. We are always under the impression that we need the next new camera or lens that comes out. Or, like my mother-in-law used to say, "If you don't have it, you need it." While the grass may be greener on the other side of the fence where your neighbor has a Canon EF 135mm f/2.0 portrait lens that she paid 00 for, it's possible that you can get by with something that you either already own or that costs just a tad bit less.

OK, real quick, the qualifications:

1. Image quality - this has to be really good. You do not want a lens that has poor image quality. After all, you will be shooting people, and most people are very vain about their appearance. It's not like taking a picture of a monkey or bear at the zoo. Those animals don't care what their picture looks like.

To find out whether the lens in question will qualify as a Canon portrait lens with respect to image quality, check some expert sites. But keep in mind that these guys are going to be very technical. You might just want to go to the Amazon or B & H Photo website and check user reviews. In that case, look for reviews from advanced amateurs or professionals. They will also be fairly reliable.

2. Focal length - Portraits can be taken with a lens that is as short as 50mm or as long as 300mm. Some of the pros use the extra long length to get the great bokeh, but normal portrait shooters use a lens of about 85mm to 135mm. The good news is that if you have an entry-level or mid-level digital SLR, you have what is known as a crop factor, which simply means that your camera multiplies the focal length of the lens by either 1.5 or 1.6 depending on the make of the camera. So if you have a 100mm lens, multiply it by the crop factor of, say 1.6, and you have an effective focal length of 160mm. And a 50mm lens becomes an effective focal length of 85mm. Of course, the shorter the focal length, the closer you will be to your subject. That's why a wide angle lens of 28mm will not be your best bet for a portrait lens.

3. Aperture - The aperture is really important. The wider the aperture, the better your chances for getting the nice blurry background that is desirable in this type of photography. You want a minimum of f/4.0 for longer length lenses, such as a 180mm lens, and at least an f/2.8 for the shorter lenses, such as 50mm. The larger the aperture, the better your background will be. But you also need a good sharp focus on the eyes because there is a very shallow depth of field with the wider apertures.

Generally, single focal length lenses are preferred for portraits, but that is not a hard and fast rule. Some photographers use their Canon 70-200 mm lens for this and are very happy with it.

OK, so there is a wide range of possibilities here. Going back to the first suggestion, look into your camera bag and see which, if any, of your current lenses fit the qualifications. If you still need to purchase a Canon portrait lens, proceed with patience. Getting a lens that can do two or three types of images is also a viable option.

One last thing. Third party lenses, like Sigma, Tamron, and Tokina are also great ways to save a few bucks. There are some excellent lenses made by these manufacturers, but make sure you check what the experts and others who have used them say in forums and online comment areas.

Canon Portrait Lens On a Budget - How To Choose A Portrait Lens

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Canon EF 100mm f/2.8 Macro USM & Canon BG-E5 Battery Grip unboxing

!9# Canon EF 100mm f/2.8 Macro USM & Canon BG-E5 Battery Grip unboxing

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Laz & Tom

!9# Laz & Tom

My first tests of the Canon 5D Mark II, lenes are EF 24-70mm f/2.8L USM, EF 85mm f/1.2L II USM, EF 100mm f/2.8L Macro IS USM.

Laz & Tom

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Canon EF 100mm f/2 USM Telephoto Lens for Canon SLR Cameras

!9# Canon EF 100mm f/2 USM Telephoto Lens for Canon SLR Cameras

Brand : Canon | Rate : | Price : $474.00
Post Date : Oct 16, 2011 11:05:51 | Usually ships in 6-10 business days

Canon EF 100mm f/2 USM Telephoto Lens for Canon SLR Cameras

Despite the large maximum aperture, the lens remains compact. Lens group 5 moves for rear focusing, and sharp, crisp pictures are obtained at all apertures. The background blur is ideal for portraits. The USM autofocuses the lens quickly and quietly.

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!9# Canon EF 100mm f/2.8L Macro IS Lens - Great amount macro lens

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Geraldine Allen - Fine Art Photographer, Creating Wondrous Images With Digital Photography Art

!9# Geraldine Allen - Fine Art Photographer, Creating Wondrous Images With Digital Photography Art

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This is the first in a series of profiles of photographers from different parts of the spectrum imaging. In the future we will beam photographer, advertising photographers, nature photographers, and so on to help the digital photographer, some valuable information about the best pictures.

Geraldine Allen is our first subject in the center of attention of the artist. First in the history of graphic design and art in Britain formed; valuable experience Geraldinein aesthetics and design principles. Later in life he began his studies in psychology and graduated with a Bachelor of Science Honours. However, Geraldine has long attracted the interest and passion for photography back. Excited by the possibilities of Adobe Photoshop in the early days of its development has led, was soon absorbed by experimenting with digital photo collage. It 'was then decided to return to Salisbury College in the UK to formalize their experiences andUpdate their knowledge of the visual media sector.

Geraldine studying Creative Digital Arts, to become familiar with standard software for multimedia, and still want to focus on imaging, they chose BA (Hons) in media photos (photo) completed. When handling the computers became more popular, they decided to try [and favors now] "in camera" effects.

When you have your moment "aha" come, the moment when you knew that your affinity for photographycould continue in relation to their creative and professional? "I opened my day a shot of a teenage son when I happened to be a large increase, and the combination of height, the long lens, and the way he had brought with him his attitude in the context of a interesting result, and I thought then that there are so many variables and I would never get bored when I did have a life. I've always liked photography, but I did not really learn a lot, until digital came out.Suddenly I heard so quickly because the results were immediate and I could relate to errors that have been associated controls. "

They prefer full control over your photographic subjects to shoot or sometimes natural, non-studio? "I have no preference. I'm so passionate about photography and there are so many different aspects that I find it impossible to stop nepotism. I have to separate the genres in photography, and I have a different approach fromGenre. For example, the creative shots in the head of the photographer / artist preconceptions, asking the subject to be configured and controlled - to a certain extent. Even if my light-controlled study of the painted images dominate the portfolio, often leave people to position themselves as subjects. The image should be a small core of their natural character. I think that helps with ideas, but if they stick, usually by distracting her with conversation and said, "Here," ifI think a certain attitude, or manner of expression would be good for the image.

For natural images, which I rarely check anything, except maybe with a little flash fill or a reflector in combination with available light. I make a conscious effort, not a natural scene, as I want to bother to document the real and natural as possible. That said, I must confess, I can not move the sticks to throw stones from the frame or otherwise intrusive. "

Have you ever had a mentorThat have an impact on your style and art? "I have a lot of support from a wonderful teacher named Ian Smith, Salisbury College, UK. While he was endlessly encouraged to experiment with how I liked where I was taught everyone involved that the trial and give some decisive direction . I had to ask myself what my images have been trying to communicate and plan with specific goals. Last year when I arrived Salisbury Universitydreaded stage where he was forced to choose a subject. God forbid, I would like to make a choice, if I loved each and every one of the traditional and modern fully abstract? I remember really struggling to hold back the tears when you are at the point of my classes with a few drops. I was really an excuse, because I decided to take a stick with two fields, visual arts and nature, and then I put a unified approach for both in my final portfolio!

Iwas also the privilege of working with landscape photographer Charlie Waite in his studio for several months. Although the practical aspects of the work and world of work dominated our concerns, I watched his approach to his projects and, in fact, in its natural day-to-day practicality. If I were to choose a primary point that I always thought it would be, as it appears in the sky and look around when he was still out there. He immediately and instinctively study light and how itfell on topics in its immediate vicinity, no matter where he was or what he did. You could say I was obsessed with light! So he taught me the valuable lesson of all, the natural laws of light, as it affects obviously the world around them and how different it seemed after the various study conditions. "

Your best advice for budding digital photographers? "To use experience and then try some more '! Full manual controls, instead of attacking theAuto-safe mode. Not only refer to the manual, if you're on, as a fundamental control stick to run, but everything you read from top to bottom and then check each advanced control. To get to know the camera, and you can pass on some interesting effects. Try different levels of fill flash, use the white balance, and test the effects of / f-stop depth of field. Oh, and look at the possibility of error! I have known, from accidental useThe errors, as decided at a later time controlled effects. "

What kind of camera do you prefer? "Mostly I am a user of the Canon digital SLR range. I just look and performance as the Canon. A Canon feels right in my hand so what else can I say?

I'm currently using a Canon D60, I was very happy to own, when they were released for shooting. Unfortunately, six months down the line, the 10D was released, a distinct decrease in pricesstartup. Now there are, of course, the 20D too! This is the anguish of being a die-hard techie devil. I only slow because it "always-practical" for me in the lurch with a zoom slider on the long exposure times. With fixed focus, zoom "

Geraldine is currently with four lenses: a 15 mm f2.8 fisheye, a 35mm f / 2, 100 f/2.8 and a 200mm f/2.8 L - Canon EF everyone. Of course, with these lenses on a digital SLR means the focal length is longer than the one used on a film SLR because of the size of the sensor, thebecause it is not really 'fisheye' fisheye, but only very wide, and 35 mm objective standard used workhorse - equivalent to a 50mm. Shooting a lot of images of nature, its 100 mm macro lens has proved a wise investment, allowing them to acquire additional close range, both for macro shots and more distance.

Geraldine says: "I never much like to long distance shooting I tried a glass 300mm 'L' only once, but sold within two weeks, it was a monster, and ..associated with a maximum aperture of f5.6, it was not fast enough with the focal length and the weight of the thing. I could not get clear enough pictures. Instead they prefer to bring distant subjects close to me, I carry the little things in my eye level, so I can study every detail. Therefore, I have a natural affinity for macro-photography and photomicrography. I use a microscope with a zoom factor IMXZ x10 - x40 small for real fans, or if you want to show what theEye usually does not see, but with an aperture of f 0, are necessarily unhappy with the lack of sharpness throughout. Often I'm just going to the "sweet spot" region and to collect later. I also have a fan for a goal FD, but I rarely got a satisfactory result because of the lack of mobility and adaptability. I really like the MP-E65 more mobile, but unfortunately it is not within the budget at present.

I missed the experience of medium format at all, but whata great discovery was to discover that he could afford a large scale! I ended up with a Toyo 4x5 view camera with a monorail extension, dark cloth, many double-blind slide, a Schneider Symmar-S 150 mm f5.6, and two boxes of Fuji Provia RDP II, all for £ 400! The film and processing costs were added there, and the results are still clearly 'noob LF "."

The only other tools of recovery that I have two flashes, a 1,000-watt halogen lamp, a Canon Speedlite 550EX, softbox,Stands and reflectors. These are not used very often, but they are in stand-by for studies strange request. In general, though I prefer natural light and natural environment.

Post shoot processing obviously requires a digital darkroom. I use a Dell PC with a fast processor, lots of RAM, a Mac Powerbook G4, an Olympus Camedia dye sub printer, a Canon S9000 inkjet, and Epson Perfection 4870 scanner for my 4x5 film. We must not forget that the king of kings piece of software - Adobe Photoshop. I justThe upgrade to CS and are not disappointed. Oops ... I forgot to mention my set of three trusted halogen light for painting .... nothing fancy or expensive, just normal household waste burners of various forces. "Said Mrs. Allen.

Geraldine was always found in the magical, unique qualities and supernatural in the work of photographers like Robert Damachy, Julia Margaret Cameron, Diane Arbus, Sarah Moon fascinates. Specific influences on their development with their photographic lightBerthold Steinhilber Painting, Jorg Gründler and Diana Thorneycroft have been.

If you visit their site, they recognized some of the wonderful Geraldine macro photography. Many of them are based on floral items. She says, "for macros of flowers, I want to use the extremely limited depth of field. [100 mm], the minimum distance you can focus and large aperture [often f2] means. The usual example, I use necessarily a longer focal length shutter speed is fast enoughbecause there are a lot of light into the lens. But that does not mean I do not need a tripod in a natural environment. I often like only the smallest element of fire, shooting handheld is a definite no, no, as the focal plane may have meaning to slip the slightest movement [in the camera or subject]. If the item to focus on the following areas is flat, then it is usually easier to reach the center, where I want. However, if curved or rounded, I try to make sure that the camera is positionedat an angle to allow for the item that is in parallel with the back of the camera, so that as far as possible, heading back to the same level as the sensor or film. "

Www.photo-art-gallery.com: You can see the portfolio of his art photography on its website

Geraldine Allen - Fine Art Photographer, Creating Wondrous Images With Digital Photography Art

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Canon Rebel Portrait Lens - Which goal is better for portraits Canon Rebel?

!9# Canon Rebel Portrait Lens - Which goal is better for portraits Canon Rebel?

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Suppose you have only your first DSLR and a Canon Rebel. Now you are a professional, or at least a semi-pro. This is what everyone around you thinks.

And what about pictures? What are the requirements for a Canon Rebel portrait?

Each photographer is a portrait photographer at some point. Your family is assumed to have a large portrait shooters. Even more important for them to be as cheap labor.

It 'just a fact. When people see that the monsterCamera, they just assume that you are a professional and you can take any kind of image excellence.

Do not tell them they are just the beginning. Hold the camera against your face and awesome to let you think you are great your chosen hobby.

Here are the two most important things to consider for a decent head shot to maintain.

First, you want to stay away from the subject from any point 6-20 feet. Closer than 6 meters, and you will see some distortion inthe body.

Secondly, you should choose the widest aperture possible as possible, as of f/2.8 / 4 A grand opening will result in a reduced depth of field, which means that the level of focus a few inches (hit the face in the event of a head) in front of and behind the center-area is limited. The object of a shallow depth of field is a blurred background.

Choose a goal that can achieve this simply means looking in the camera bag or camera, because you can alreadyhave a good goal.

Your Canon Rebel has a sensor that the lens focal length multiplied by a factor of 1.6. So if you have a 100mm portrait lens Canon, actually taking a picture with an effective focal length of 160mm (which is 100 x 1.6).

A head shot with a photographic surface usually about 3 to 4 feet tall. Taking pictures with a 100 mm lens would be set at about 15 meters from the subject ... perfect.

At a minimum, the focal length could be used to achieve the sameStrike would be a 50 mm lens with you about 6 feet away from the position of the subject. A Canon EF-S 60 mm macro lens will do the job, too, and is made specifically for a rebel.

The perfect portrait lens Canon Rebel could be a longer focal length. In particular, a 70-200mm zoom works very well because of how totally awesome are the pictures. It's actually what many consider the Canon lens "flagship". If you are one of the 70-200mm lenses (and there are five of them now), itdetermined.

However, many photographers think that a fixed focal length of the best portraits (one has only one main lens focal length and not as a zoom) is done. There is no argument that a great head shot with a 100 mm or 135 mm fixed focal length can first be taken. These are excellent lenses. But they are also more expensive than others.

Assuming the budget to play a role in his decision, remember that the focal length can be anywhere between 50 mm and above. It 'really your position (distancethe subject), the prospect of recording, and the quality of the lens, making the shot.

If you are under a lot of portraits, then a high quality lens with the right focal length and the opening will be a good investment. However, if you have no intention of head shots that you want the most important form of photography, you could have a lens that meets your needs for any images that you plan to leave twice as large and a dress Canon lens Rebel Portrait. get

Canon Rebel Portrait Lens - Which goal is better for portraits Canon Rebel?

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Canon - Macro lens - 100 mm - f/2.8 USM - Canon EF

!9# Canon - Macro lens - 100 mm - f/2.8 USM - Canon EF

Rate : | Price : | Post Date : Sep 17, 2011 11:10:49
Usually ships in 3-4 business days

The Canon EF 100mm f/2.8 Macro USM Autofocus lens is suitable for macro photography up to life-size (1x) magnification. Inner focusing affords a long working distance of 5.9 inches to infinity.

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Canon EF 135mm f/2L USM Lens for Canon SLR Cameras

!9# Canon EF 135mm f/2L USM Lens for Canon SLR Cameras

Brand : Canon
Rate :
Price : $1,034.00
Post Date : Sep 01, 2011 09:54:18
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The fastest 135mm telephoto lens in its class. Ideal for indoor sports and portraits with background blur. Two UD-glass elements correct secondary spectrum for outstanding sharpness and color. Compatible with Extender EF 1.4x II and 2x II.

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Canon D60 digital camera

!9# Canon D60 digital camera

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Muskovac Nick, PPSA Palm Harbor, Florida wrote very interesting article about Canon `s D60 digital camera. His article was inspired by personal experience and observation.

Author is an active user of digital cameras by Canon. The first Canon D 30 was comparing the Canon D60, D30 with Mr. Muskovac place as the essential difference is that the D60 has many more pixels - 6.3 million pixels, which suggests the D30 with 3.25 million pixels.

He pointed out that the D60 is CMOS, whichconsumes less energy and allows the camera to take multiple pictures on a battery than most point-and-shoot cameras with no loss of image quality.

The most important technical data in Mr. Muskovacx `are:

D60 Specifications:

Type: Single Lens Reflex, 36-bit color CMOS image sensor directly

Compatible lenses: All EF

Focal length: 1.6 x focal length marked

Imaging element: High-sensitivity high-resolution CMOS single large plateSensor

Effective sensor size: 22.7 x 15.1 mm

Effective pixels: 6.29 million pixels (3072 x 2048)

Aspect Ratio: 3:2

LCD Monitor: TFT LCD color monitor

Image Size: 1.8 inches

Recording method: Media - CF card (Type I or II)

Formats: JPEG, RAW

Auto Focus - AF

AF Points: 3 points (1 +1)

AF working range: EV0.5 to EV18 (ISO 100) - This is a great improvement over the D30 with a range of EV 2 to EV 18

FocusMode:

(1) One Shot AF: AF locks when focus is achieved

(2) A1 Servo AF: Tracks subject movement up to the beginning of the actual extent

(3) A1 Focus AF switches from One-Shot AF and AF servo A1.

(4) Manual focus: Manual focus can be used if the lens focus switch to manual focus (M)

Exposure: 35-zone SPC and TTL Open Metering

(1) Evaluative metering

(2) Centre for Partial metering (approx. 9.5% viewfinderArea)

(3) Center weighted average of the measured value

Exposure Mode:

(1) TV (time value) Aperture Priority

(2) Av (aperture) aperture priority

(3) the depth of field priority auto

(4) Full Auto mode

(5) Manual mode

ISO speed range: Equivalent to 100, 200, 400, 800, 1000

Exposure Compensation:

(1) AEB + / - 2 EV in 1 / 2 stop or 1 / 3.

(2) manual compensation + / - 2 EV in 1 / 2 or 1 / 3 stop.

BlockType: controlled vertical-travel focal plane shutter with all speeds electronically.

Speed: 1 / 4000 to 30 seconds. Pear, and X-sync at 1 / 200 second.

Self-timer: Electronically controlled, 10-second delay.

Transportation:

(1) Single

(2) Continuous

(3) Self-timer (10 sec)

Number of images in continuous

Approximately 3 frames / second in One Shot AF mode with 1 / 250 second or shorter, up to a maximum of 8 images.

Built-in Flash Type:

RetractileE-TTL auto flash and automatic pop-up flash.

Guide number 39 at ISO 100 (ft.)

Recycling: About 3 seconds.

Power: Operating from a BP-511 battery pack (lithium ion)

Number of images that can be taken with a fully charged battery:

540 (50% flash, normal temperature.)

Camera Body

Event Contact:

(1) Accessory shoe: X-sync contacts

(2) sync connector (threaded) on the bottom of the camera.

External Flash systemCompatibility: Compatible with E-TTL automatic synchronization.

In my opinion, the most important and functional specifications of the D60, which take all Canon EF (auto focus) lenses.

This was a very important aspect for me, since already Canon EOS EF lenses and the following equipment:

20 mm 2.8 28-135 IS 4.5/5.6

100 mm 2.8 macro 75-300 is 5.6

70-200mm2.8 1-400 is 5.6 2.8 300 mm

Using the camera in action, took a couple of shots andanalyzes the image quality. He used the Canon 100mm 2.8 macro lens. Then he says, "is the focal length of 160 mm mounted on the D60, an excellent macro lens. I use a twin macro flash, which I have for years with my EOS 1N. I shoot with manual mode, this flash with the Guide Number to measure the distance. The shutter speed is set the camera to 1 / 200 sec. I, f-stops vary depending on the distance from the plane of the butterfly imaginary film. The f-stop isF16 and F25 is generally between. If the distance from the subject over 1 1 / 2 feet, change the setting: ISO 100 to ISO 200 instead of opening the hood. In this way I could have a small opening and maintaining a good depth of field. With the D60 and 6.3 million pixels, I could make a very good print 10 x 15 cm with the largest storage mode of jpeg images. Figure 1 shows a Coolie Butterfly taken at ISO200, 1 / 200 sec, F22, and a distance of about 2Feet. "

When using the measurement on a green background of snow egrets, herons are overexposed. He then concludes that "the same applies, to a lesser extent, the use of measuring partial and center-weighted average center. To get the right exposure, the little egret, a stop exposure compensation -2 / 3 to -1 was used in evaluative metering modes to shoot. I have almost all my photos with evaluative metering. "

It pays attention to the numbering systems.We can choose: (1) continues. (2) Auto reset. In continuous mode, the numbering is continuous through the papers. Then he demonstrates that the Canon software assigns folder numbers. The photo with the next number in each folder related to the previous folder from the left, creating a continuous numbering of the images. The date / time is also permanently stored with each image. Convenient memory function allows images in folders in groups of 100, instead.

In the auto-resetNumber corresponds to 0001 every time a new card.

D60 file numbering only goes up to 9900 would have been nice to allow 100,000 images. Serious shooters more than 10,000 images a year.

Here's an example of how to work the numbers and the image folder:

Folder Range Image

IMG_0001 IMG_0100 CANON100 to

IMG_0101 IMG_0200 CANON101 to

IMG_0201 IMG_0300 CANON102 to

IMG_9801 IMG_9900 CANON198 to

CANON200IMG_0001 IMG_0100 by

IMG_0101 IMG_0200 CANON201 to

With pictures in different folders, duplicate image file names are identified and then be renamed.

The D60 is a beautiful 1.8-inch TFT color LCD, this allows us to review the images immediately.

Important to its comments regarding the battery life usually with 50% flash control mode is on, can usually result in 350-400 images on a fully charged battery. And he concludes: "The review ofImages do not use a significant amount of battery power. "

According to the author the following features of the D60, which I think are important:

1 D60, all Canon EF lenses.

2 Changing the ISO settings in mid-roll.

3 Check your image: immediately after exposure.

4 With a built-in 1.6x extender.

5 shoot 3 frames per second and up to eight consecutive images.

He is the D60 a good score. Above all, he is impressed with the imageQuality. According to him, "the camera has interchangeable electronic ability to focus long lenses and multiplies by a factor of 1.6 x. In general, it seems that the D60 is a camera

Canon D60 digital camera

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DSLR Lenses and their abbreviations

!9# DSLR Lenses and their abbreviations

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For those of you who know what these abbreviations will be, I have compiled a list of terms used for what it is and, of course, what really does it for you or avoid.

Abbreviations General.

Before getting to the nitty gritty of why they are all different, we see the similarities. There are three common terms to its objectives, and these are easy to understand, describe and relate only to get the most creative and powerful features.

Focal length: -The scope of the scene captured, for example, 16-35mm. A goal that extends over an area of ​​16mm (relatively large) to reduce by 35 mm.

Maximum aperture: - The maximum rate at which the lens can let in light. eg f3.5 or 2.8 - 5.6

If your goal is just a number, so that as open as possible.

If the lens has two numbers are as open as possible and then adjusted depending on the lens focal length is.

The lower the number the larger the aperture andfaster in the light. (See my forthcoming article on the law of reciprocity)

AF / MF switching between autofocus and manual focus

Canon Lens Abbreviations

Conditions for Canon lenses, describe

Canon produces an extremely wide range of lenses for its EOS cameras. This results in the fields of Sigma, Tamron and Tokina Canon owners are married to a wide range of lenses Canon Fit SLR. The Canon of abbreviations are used below.

EF: Electronic Focus. Lens fitCanon EOS DSLR, the whole area.

EF-S: As above, but only right that the APS-C sensor digital SLR like the 20D, 30D, 40D, 50D and 300D, 350D, 400D, 450D, 500D. The S stands for "short back focus", which means that the rear of the lens much closer to the CMOS (CCD, if you will), as it is with EF lenses.

USM ultrasonic motor for autofocus. Two species. Micro USM as a direct replacement for the old engines and ring systems of FD 'USM "with manual control.

OD: optical diffraction. TechnologyCanon to make sure that the objectives of shorter duration.

TS-E tilt-shift lens for perspective correction for photography, as a rule change in the architectural work of converging lines and depth of field. Similar to the camera "Sinar".

The lenses: Canon professional with better optical quality and features not specifically. Usually white. All L-series lenses have a red ring on the outside ..

MP-E Macro optoelectronics. Macro lenses designed with an electronic systemIris control function.

IS: Image Stabilization developed a system to reduce vibration of the hand. The Nikon version is called VR (Vibration Reduction) and a Sigma OS (Optical Stabilization).

Nikon Lens Abbreviations

Description Nikon Lens

Nikon manufactures a wide range of lenses with their specific abbreviations. Sigma, Tamron and Tokina lenses Nikon Fit SLR the choice to do almost as wide

AF Nikkor lenses DC_: Defocus Control adjustment sphericalAberration, and then give the effect of blur blur rounded used for portraits.

CRC (Close Range Correction): Pot fisheye, wide angle, telephoto Micro offers higher quality and limited in our neighborhood.

DX Nikkor: optimized for sites with smaller sensors.

ED: Extra-low Dispersion glass. Sharpness and color corrected to travel light blue and red.

IF: Internal Focusing. Focal length remains unchanged

Macro: For close-ups of fire.

G:Aperture set by the camera.

Nano Crystal Coat: Non-glare for clearer images.

VR: Vibration Reduction image stabilization Nikon's version runs down to shake the effects of the hand.

PC-E Perspective Control for architectural photography.

RF: Rear focusing for adjusting auto focus ..

SWM: Silent AF

Sigma Abbreviations

Acronyms for Sigma lenses

EX: Sigma professional goals.

DG: For Full SizeBody

DC: For APS-C body.

ASP: aspherical lenses.

APO apochromatic objective. Unique to the chromatic aberration and Sigma.

OS: optical image stabilization.

HSM Hyper Sonic Motor. Silent AF.

RF: Rear focus ..

IF: internal focus so the physical length of the lens is reduced to shake hands to focus more shots.

DF: Dual focus. Does not rotate during AF.

Conv: Comes with Sigma teleconverter.

Tamron Abbreviations

Tamron lenses described

ASL:Aspherical

AD: reduces chromatic aberration ..

Tue: Full Frame

II: short chassis.

IF: Internal Focusing.

LD: low-dispersion glass to reduce chromatic aberration

Macro: Designed to focus on issues closer

SP: Great performance.

XR Extra refractive glass to enhance the optical effects.

VC: Vibration control is Canon, Sigma and Nikon VR OS.

Visit for more information on the objectives and applications abbreviations Park lens digital cameras. A professionalMerchants that offer full UK warranty SLR lenses.

DSLR Lenses and their abbreviations

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Canon 70-300 IS USM Lens Overview

!9# Canon 70-300 IS USM Lens Overview

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The Canon 70-300 IS USM should appeal to serious amateur nature and sports photographers, with a 3-image stabilizer, auto focus and excellent image quality fantastic.

Shutter speeds up to three stops slower than otherwise possible, with the latest 3-stop Image Stabilizer Canon blur is significantly reduced and achieved, enabling excellent results Photograph hand. Options in low light conditions are very large shooting at a shutter speedof 1 / 60 second with the Canon 70-300 IS USM, the resumption of a portable meter 300 mm 1 / 500 second. Unwanted vibrations are absorbed by the gyro sensors. The Canon 70-300 IS USM provides 2-mode lens with optical image stabilization for shooting stationary objects. Mode 1 stabilizes the object along the horizontal and vertical axes. Mode 2 switches correction in the direction of pan and prevents the effect of dragging the subject back through the frame when, after a moving object. The imageIt 'turns off automatically when the camera is mounted on a tripod.

The micro USM motor in the Canon 70-300 IS USM super moves automatically return fire with unprecedented speed and near-silent operation. The moment you arrive at the center right of the lens stops with precision and accuracy. The Canon 70-300 IS USM is a large increase of AF speed compared to its predecessor. At wide angle zoom is locked by a lock zoom ringavoid possible damage during transport and storage of lenses in its most compact position. The lens provides increased light absorption and reflection from the surfaces of lenses is reduced to be crisp, undistorted images with natural color reproduction.

The Canon 70-300 IS USM lens features only lead-free glass, which is consistent with Canon's Kyosei philosophy (life in harmony with the environment). The lens measures 3 inches in diameter and is 5.6 inches long, with a weight of 22.2Grams and includes measuring the distance information, and is therefore compatible with the flash of cameras later model. Accessories include a lens hood and pouch and also has a 1-year warranty.

Canon 70-300 IS USM Lens Overview

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Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 18-135mm f/3.5-5.6 IS UD Standard Zoom Lens

!9# Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 18-135mm f/3.5-5.6 IS UD Standard Zoom Lens

Brand : Canon | Rate : | Price : $1,199.00
Post Date : Aug 13, 2011 20:33:46 | Usually ships in 24 hours

Canon's 18.0 megapixel EOS 60D bridges the gap between the novice and the seasoned professional with a perfect combination of high speed and quality. ISO capabilities up to 12,800 deliver uncompromised shooting in the dimmest situations, and a vari-angle 3.0" Clear View LCD monitor with Live View function makes framing and viewing a pleasure. The EF-S 18-135mm IS lens offers both wide-angle and telephoto shooting capabilities.

• 18.0-megapixel CMOS sensor and DIGIC 4 Imaging Processor; ISO 100-6400 (expandable to 12800)
• Includes 18-135mm f/3.5-5.6 IS UD standard zoom lens
• Improved EOS HD Video mode with manual exposure control; Vari-angle 3.0-inch Clear View LCD monitor
• 5.3 fps continuous shooting; enhanced iFCL 63-zone, Dual-layer metering system
• Compatibility with SD/SDHC/SDXC memory cards (not included)

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2009 Victory Vegas Jackpot

!9# 2009 Victory Vegas Jackpot

2009 Victory Vegas Jackpot "Lucky Lime" bike. I used my Canon 7D and Canon EF 100mm f/2.8L IS USM 1-to-1 Macro and a Sigma 17-70mm f/2.8-4 DC Macro HSM lens. Most of the videos are "low profile", shot at 24 fps 1080p. I also used a B-W16 DryLin ® linear motion system.

2009 Victory Vegas Jackpot

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