A Good Canon Digital SLR Lens Is Worthy Of Its Price Tag

!9#: A Good Canon Digital SLR Lens Is Worthy Of Its Price Tag

Did you know that the lens is as important. If not more important, than the camera you are using? I use Canon models, so I am always on the lookout for the best Canon digital SLR lens that MY money can buy (I don't have deep pockets).

When I started taking digital photos with my first Olympus 3-megapixel point and shoot camera, I became obsessed with nature pictures. I was especially taken with macro and bird photography.

So now, when you pair Canon digital slr lens with nature, you are talking about image quality in its finest form. For some types of photography like family pictures or street journalism, the sharpness and detail are not quite as important as with nature photos.

I have had the occasion to "lose myself" in a "National Geographic" or "Outdoor Photographer" magazine, imagining that I was the nature photographer who submitted the award winning photos on those pages.

Those guys and gals who shoot for "National Geographic" use lenses that cost in the thousands of dollars... way too costly for my meager budget.

But getting a good quality Canon digital SLR lens can be accomplished on a smaller budget, and "award winning" images are possible, too.

When I say smaller budget, I am talking about, let's say, a bird lens of about 300mm f/4 with an extender. If you are shooting with a Digital Rebel or a 60D, you can have an effective range of about 600mm, give or take a few millimeters. You can get some excellent photos with that kind of setup.

Or consider a Canon 100mm macro lens. It is an amazing lens for under 0. There are lots of examples of award winning photos with this sweet little macro lens.

The great part about the better lenses is that they are not limited to nature photography. A good long distance lens can do very well with sports like soccer and football. And a 100mm lens is perfect for portraits.

Getting a good Canon digital SLR lens or two will give you years of gratification in your chosen hobby or profession.

A Good Canon Digital SLR Lens Is Worthy Of Its Price Tag

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Canon Portrait Lens On a Budget - How To Choose A Portrait Lens

!9# Canon Portrait Lens On a Budget - How To Choose A Portrait Lens

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Getting a good portrait lens is not difficult, but knowing which ones qualify is important. Before you go out and make a purchase, you should take a look into your camera bag to see if you may have a Canon portrait lens in there cleverly disguised as.. let's say a Macro lens or maybe a sports action lens.

The first issue is to determine what the qualifications of a good Canon portrait lens actually are. But in the process, keep in mind that you want to save money.

I hope this does not burst your bubble. I mean, photographers are kind of like fishermen and golfers. We are always under the impression that we need the next new camera or lens that comes out. Or, like my mother-in-law used to say, "If you don't have it, you need it." While the grass may be greener on the other side of the fence where your neighbor has a Canon EF 135mm f/2.0 portrait lens that she paid 00 for, it's possible that you can get by with something that you either already own or that costs just a tad bit less.

OK, real quick, the qualifications:

1. Image quality - this has to be really good. You do not want a lens that has poor image quality. After all, you will be shooting people, and most people are very vain about their appearance. It's not like taking a picture of a monkey or bear at the zoo. Those animals don't care what their picture looks like.

To find out whether the lens in question will qualify as a Canon portrait lens with respect to image quality, check some expert sites. But keep in mind that these guys are going to be very technical. You might just want to go to the Amazon or B & H Photo website and check user reviews. In that case, look for reviews from advanced amateurs or professionals. They will also be fairly reliable.

2. Focal length - Portraits can be taken with a lens that is as short as 50mm or as long as 300mm. Some of the pros use the extra long length to get the great bokeh, but normal portrait shooters use a lens of about 85mm to 135mm. The good news is that if you have an entry-level or mid-level digital SLR, you have what is known as a crop factor, which simply means that your camera multiplies the focal length of the lens by either 1.5 or 1.6 depending on the make of the camera. So if you have a 100mm lens, multiply it by the crop factor of, say 1.6, and you have an effective focal length of 160mm. And a 50mm lens becomes an effective focal length of 85mm. Of course, the shorter the focal length, the closer you will be to your subject. That's why a wide angle lens of 28mm will not be your best bet for a portrait lens.

3. Aperture - The aperture is really important. The wider the aperture, the better your chances for getting the nice blurry background that is desirable in this type of photography. You want a minimum of f/4.0 for longer length lenses, such as a 180mm lens, and at least an f/2.8 for the shorter lenses, such as 50mm. The larger the aperture, the better your background will be. But you also need a good sharp focus on the eyes because there is a very shallow depth of field with the wider apertures.

Generally, single focal length lenses are preferred for portraits, but that is not a hard and fast rule. Some photographers use their Canon 70-200 mm lens for this and are very happy with it.

OK, so there is a wide range of possibilities here. Going back to the first suggestion, look into your camera bag and see which, if any, of your current lenses fit the qualifications. If you still need to purchase a Canon portrait lens, proceed with patience. Getting a lens that can do two or three types of images is also a viable option.

One last thing. Third party lenses, like Sigma, Tamron, and Tokina are also great ways to save a few bucks. There are some excellent lenses made by these manufacturers, but make sure you check what the experts and others who have used them say in forums and online comment areas.

Canon Portrait Lens On a Budget - How To Choose A Portrait Lens

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Geraldine Allen - Fine Art Photographer, Creating Wondrous Images With Digital Photography Art

!9# Geraldine Allen - Fine Art Photographer, Creating Wondrous Images With Digital Photography Art

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This is the first in a series of profiles of photographers from different parts of the spectrum imaging. In the future we will beam photographer, advertising photographers, nature photographers, and so on to help the digital photographer, some valuable information about the best pictures.

Geraldine Allen is our first subject in the center of attention of the artist. First in the history of graphic design and art in Britain formed; valuable experience Geraldinein aesthetics and design principles. Later in life he began his studies in psychology and graduated with a Bachelor of Science Honours. However, Geraldine has long attracted the interest and passion for photography back. Excited by the possibilities of Adobe Photoshop in the early days of its development has led, was soon absorbed by experimenting with digital photo collage. It 'was then decided to return to Salisbury College in the UK to formalize their experiences andUpdate their knowledge of the visual media sector.

Geraldine studying Creative Digital Arts, to become familiar with standard software for multimedia, and still want to focus on imaging, they chose BA (Hons) in media photos (photo) completed. When handling the computers became more popular, they decided to try [and favors now] "in camera" effects.

When you have your moment "aha" come, the moment when you knew that your affinity for photographycould continue in relation to their creative and professional? "I opened my day a shot of a teenage son when I happened to be a large increase, and the combination of height, the long lens, and the way he had brought with him his attitude in the context of a interesting result, and I thought then that there are so many variables and I would never get bored when I did have a life. I've always liked photography, but I did not really learn a lot, until digital came out.Suddenly I heard so quickly because the results were immediate and I could relate to errors that have been associated controls. "

They prefer full control over your photographic subjects to shoot or sometimes natural, non-studio? "I have no preference. I'm so passionate about photography and there are so many different aspects that I find it impossible to stop nepotism. I have to separate the genres in photography, and I have a different approach fromGenre. For example, the creative shots in the head of the photographer / artist preconceptions, asking the subject to be configured and controlled - to a certain extent. Even if my light-controlled study of the painted images dominate the portfolio, often leave people to position themselves as subjects. The image should be a small core of their natural character. I think that helps with ideas, but if they stick, usually by distracting her with conversation and said, "Here," ifI think a certain attitude, or manner of expression would be good for the image.

For natural images, which I rarely check anything, except maybe with a little flash fill or a reflector in combination with available light. I make a conscious effort, not a natural scene, as I want to bother to document the real and natural as possible. That said, I must confess, I can not move the sticks to throw stones from the frame or otherwise intrusive. "

Have you ever had a mentorThat have an impact on your style and art? "I have a lot of support from a wonderful teacher named Ian Smith, Salisbury College, UK. While he was endlessly encouraged to experiment with how I liked where I was taught everyone involved that the trial and give some decisive direction . I had to ask myself what my images have been trying to communicate and plan with specific goals. Last year when I arrived Salisbury Universitydreaded stage where he was forced to choose a subject. God forbid, I would like to make a choice, if I loved each and every one of the traditional and modern fully abstract? I remember really struggling to hold back the tears when you are at the point of my classes with a few drops. I was really an excuse, because I decided to take a stick with two fields, visual arts and nature, and then I put a unified approach for both in my final portfolio!

Iwas also the privilege of working with landscape photographer Charlie Waite in his studio for several months. Although the practical aspects of the work and world of work dominated our concerns, I watched his approach to his projects and, in fact, in its natural day-to-day practicality. If I were to choose a primary point that I always thought it would be, as it appears in the sky and look around when he was still out there. He immediately and instinctively study light and how itfell on topics in its immediate vicinity, no matter where he was or what he did. You could say I was obsessed with light! So he taught me the valuable lesson of all, the natural laws of light, as it affects obviously the world around them and how different it seemed after the various study conditions. "

Your best advice for budding digital photographers? "To use experience and then try some more '! Full manual controls, instead of attacking theAuto-safe mode. Not only refer to the manual, if you're on, as a fundamental control stick to run, but everything you read from top to bottom and then check each advanced control. To get to know the camera, and you can pass on some interesting effects. Try different levels of fill flash, use the white balance, and test the effects of / f-stop depth of field. Oh, and look at the possibility of error! I have known, from accidental useThe errors, as decided at a later time controlled effects. "

What kind of camera do you prefer? "Mostly I am a user of the Canon digital SLR range. I just look and performance as the Canon. A Canon feels right in my hand so what else can I say?

I'm currently using a Canon D60, I was very happy to own, when they were released for shooting. Unfortunately, six months down the line, the 10D was released, a distinct decrease in pricesstartup. Now there are, of course, the 20D too! This is the anguish of being a die-hard techie devil. I only slow because it "always-practical" for me in the lurch with a zoom slider on the long exposure times. With fixed focus, zoom "

Geraldine is currently with four lenses: a 15 mm f2.8 fisheye, a 35mm f / 2, 100 f/2.8 and a 200mm f/2.8 L - Canon EF everyone. Of course, with these lenses on a digital SLR means the focal length is longer than the one used on a film SLR because of the size of the sensor, thebecause it is not really 'fisheye' fisheye, but only very wide, and 35 mm objective standard used workhorse - equivalent to a 50mm. Shooting a lot of images of nature, its 100 mm macro lens has proved a wise investment, allowing them to acquire additional close range, both for macro shots and more distance.

Geraldine says: "I never much like to long distance shooting I tried a glass 300mm 'L' only once, but sold within two weeks, it was a monster, and ..associated with a maximum aperture of f5.6, it was not fast enough with the focal length and the weight of the thing. I could not get clear enough pictures. Instead they prefer to bring distant subjects close to me, I carry the little things in my eye level, so I can study every detail. Therefore, I have a natural affinity for macro-photography and photomicrography. I use a microscope with a zoom factor IMXZ x10 - x40 small for real fans, or if you want to show what theEye usually does not see, but with an aperture of f 0, are necessarily unhappy with the lack of sharpness throughout. Often I'm just going to the "sweet spot" region and to collect later. I also have a fan for a goal FD, but I rarely got a satisfactory result because of the lack of mobility and adaptability. I really like the MP-E65 more mobile, but unfortunately it is not within the budget at present.

I missed the experience of medium format at all, but whata great discovery was to discover that he could afford a large scale! I ended up with a Toyo 4x5 view camera with a monorail extension, dark cloth, many double-blind slide, a Schneider Symmar-S 150 mm f5.6, and two boxes of Fuji Provia RDP II, all for £ 400! The film and processing costs were added there, and the results are still clearly 'noob LF "."

The only other tools of recovery that I have two flashes, a 1,000-watt halogen lamp, a Canon Speedlite 550EX, softbox,Stands and reflectors. These are not used very often, but they are in stand-by for studies strange request. In general, though I prefer natural light and natural environment.

Post shoot processing obviously requires a digital darkroom. I use a Dell PC with a fast processor, lots of RAM, a Mac Powerbook G4, an Olympus Camedia dye sub printer, a Canon S9000 inkjet, and Epson Perfection 4870 scanner for my 4x5 film. We must not forget that the king of kings piece of software - Adobe Photoshop. I justThe upgrade to CS and are not disappointed. Oops ... I forgot to mention my set of three trusted halogen light for painting .... nothing fancy or expensive, just normal household waste burners of various forces. "Said Mrs. Allen.

Geraldine was always found in the magical, unique qualities and supernatural in the work of photographers like Robert Damachy, Julia Margaret Cameron, Diane Arbus, Sarah Moon fascinates. Specific influences on their development with their photographic lightBerthold Steinhilber Painting, Jorg Gründler and Diana Thorneycroft have been.

If you visit their site, they recognized some of the wonderful Geraldine macro photography. Many of them are based on floral items. She says, "for macros of flowers, I want to use the extremely limited depth of field. [100 mm], the minimum distance you can focus and large aperture [often f2] means. The usual example, I use necessarily a longer focal length shutter speed is fast enoughbecause there are a lot of light into the lens. But that does not mean I do not need a tripod in a natural environment. I often like only the smallest element of fire, shooting handheld is a definite no, no, as the focal plane may have meaning to slip the slightest movement [in the camera or subject]. If the item to focus on the following areas is flat, then it is usually easier to reach the center, where I want. However, if curved or rounded, I try to make sure that the camera is positionedat an angle to allow for the item that is in parallel with the back of the camera, so that as far as possible, heading back to the same level as the sensor or film. "

Www.photo-art-gallery.com: You can see the portfolio of his art photography on its website

Geraldine Allen - Fine Art Photographer, Creating Wondrous Images With Digital Photography Art

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Canon - Macro lens - 100 mm - f/2.8 USM - Canon EF

!9# Canon - Macro lens - 100 mm - f/2.8 USM - Canon EF

Rate : | Price : | Post Date : Sep 17, 2011 11:10:49
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The Canon EF 100mm f/2.8 Macro USM Autofocus lens is suitable for macro photography up to life-size (1x) magnification. Inner focusing affords a long working distance of 5.9 inches to infinity.

• Canon MR-14EX Macro Ring Lite for Canon Digital SLR Cameras
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Canon D60 digital camera

!9# Canon D60 digital camera

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Muskovac Nick, PPSA Palm Harbor, Florida wrote very interesting article about Canon `s D60 digital camera. His article was inspired by personal experience and observation.

Author is an active user of digital cameras by Canon. The first Canon D 30 was comparing the Canon D60, D30 with Mr. Muskovac place as the essential difference is that the D60 has many more pixels - 6.3 million pixels, which suggests the D30 with 3.25 million pixels.

He pointed out that the D60 is CMOS, whichconsumes less energy and allows the camera to take multiple pictures on a battery than most point-and-shoot cameras with no loss of image quality.

The most important technical data in Mr. Muskovacx `are:

D60 Specifications:

Type: Single Lens Reflex, 36-bit color CMOS image sensor directly

Compatible lenses: All EF

Focal length: 1.6 x focal length marked

Imaging element: High-sensitivity high-resolution CMOS single large plateSensor

Effective sensor size: 22.7 x 15.1 mm

Effective pixels: 6.29 million pixels (3072 x 2048)

Aspect Ratio: 3:2

LCD Monitor: TFT LCD color monitor

Image Size: 1.8 inches

Recording method: Media - CF card (Type I or II)

Formats: JPEG, RAW

Auto Focus - AF

AF Points: 3 points (1 +1)

AF working range: EV0.5 to EV18 (ISO 100) - This is a great improvement over the D30 with a range of EV 2 to EV 18

FocusMode:

(1) One Shot AF: AF locks when focus is achieved

(2) A1 Servo AF: Tracks subject movement up to the beginning of the actual extent

(3) A1 Focus AF switches from One-Shot AF and AF servo A1.

(4) Manual focus: Manual focus can be used if the lens focus switch to manual focus (M)

Exposure: 35-zone SPC and TTL Open Metering

(1) Evaluative metering

(2) Centre for Partial metering (approx. 9.5% viewfinderArea)

(3) Center weighted average of the measured value

Exposure Mode:

(1) TV (time value) Aperture Priority

(2) Av (aperture) aperture priority

(3) the depth of field priority auto

(4) Full Auto mode

(5) Manual mode

ISO speed range: Equivalent to 100, 200, 400, 800, 1000

Exposure Compensation:

(1) AEB + / - 2 EV in 1 / 2 stop or 1 / 3.

(2) manual compensation + / - 2 EV in 1 / 2 or 1 / 3 stop.

BlockType: controlled vertical-travel focal plane shutter with all speeds electronically.

Speed: 1 / 4000 to 30 seconds. Pear, and X-sync at 1 / 200 second.

Self-timer: Electronically controlled, 10-second delay.

Transportation:

(1) Single

(2) Continuous

(3) Self-timer (10 sec)

Number of images in continuous

Approximately 3 frames / second in One Shot AF mode with 1 / 250 second or shorter, up to a maximum of 8 images.

Built-in Flash Type:

RetractileE-TTL auto flash and automatic pop-up flash.

Guide number 39 at ISO 100 (ft.)

Recycling: About 3 seconds.

Power: Operating from a BP-511 battery pack (lithium ion)

Number of images that can be taken with a fully charged battery:

540 (50% flash, normal temperature.)

Camera Body

Event Contact:

(1) Accessory shoe: X-sync contacts

(2) sync connector (threaded) on the bottom of the camera.

External Flash systemCompatibility: Compatible with E-TTL automatic synchronization.

In my opinion, the most important and functional specifications of the D60, which take all Canon EF (auto focus) lenses.

This was a very important aspect for me, since already Canon EOS EF lenses and the following equipment:

20 mm 2.8 28-135 IS 4.5/5.6

100 mm 2.8 macro 75-300 is 5.6

70-200mm2.8 1-400 is 5.6 2.8 300 mm

Using the camera in action, took a couple of shots andanalyzes the image quality. He used the Canon 100mm 2.8 macro lens. Then he says, "is the focal length of 160 mm mounted on the D60, an excellent macro lens. I use a twin macro flash, which I have for years with my EOS 1N. I shoot with manual mode, this flash with the Guide Number to measure the distance. The shutter speed is set the camera to 1 / 200 sec. I, f-stops vary depending on the distance from the plane of the butterfly imaginary film. The f-stop isF16 and F25 is generally between. If the distance from the subject over 1 1 / 2 feet, change the setting: ISO 100 to ISO 200 instead of opening the hood. In this way I could have a small opening and maintaining a good depth of field. With the D60 and 6.3 million pixels, I could make a very good print 10 x 15 cm with the largest storage mode of jpeg images. Figure 1 shows a Coolie Butterfly taken at ISO200, 1 / 200 sec, F22, and a distance of about 2Feet. "

When using the measurement on a green background of snow egrets, herons are overexposed. He then concludes that "the same applies, to a lesser extent, the use of measuring partial and center-weighted average center. To get the right exposure, the little egret, a stop exposure compensation -2 / 3 to -1 was used in evaluative metering modes to shoot. I have almost all my photos with evaluative metering. "

It pays attention to the numbering systems.We can choose: (1) continues. (2) Auto reset. In continuous mode, the numbering is continuous through the papers. Then he demonstrates that the Canon software assigns folder numbers. The photo with the next number in each folder related to the previous folder from the left, creating a continuous numbering of the images. The date / time is also permanently stored with each image. Convenient memory function allows images in folders in groups of 100, instead.

In the auto-resetNumber corresponds to 0001 every time a new card.

D60 file numbering only goes up to 9900 would have been nice to allow 100,000 images. Serious shooters more than 10,000 images a year.

Here's an example of how to work the numbers and the image folder:

Folder Range Image

IMG_0001 IMG_0100 CANON100 to

IMG_0101 IMG_0200 CANON101 to

IMG_0201 IMG_0300 CANON102 to

IMG_9801 IMG_9900 CANON198 to

CANON200IMG_0001 IMG_0100 by

IMG_0101 IMG_0200 CANON201 to

With pictures in different folders, duplicate image file names are identified and then be renamed.

The D60 is a beautiful 1.8-inch TFT color LCD, this allows us to review the images immediately.

Important to its comments regarding the battery life usually with 50% flash control mode is on, can usually result in 350-400 images on a fully charged battery. And he concludes: "The review ofImages do not use a significant amount of battery power. "

According to the author the following features of the D60, which I think are important:

1 D60, all Canon EF lenses.

2 Changing the ISO settings in mid-roll.

3 Check your image: immediately after exposure.

4 With a built-in 1.6x extender.

5 shoot 3 frames per second and up to eight consecutive images.

He is the D60 a good score. Above all, he is impressed with the imageQuality. According to him, "the camera has interchangeable electronic ability to focus long lenses and multiplies by a factor of 1.6 x. In general, it seems that the D60 is a camera

Canon D60 digital camera

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Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 18-135mm f/3.5-5.6 IS UD Standard Zoom Lens

!9# Canon EOS 60D 18 MP CMOS Digital SLR Camera with 3.0-Inch LCD and 18-135mm f/3.5-5.6 IS UD Standard Zoom Lens

Brand : Canon | Rate : | Price : $1,199.00
Post Date : Aug 13, 2011 20:33:46 | Usually ships in 24 hours

Canon's 18.0 megapixel EOS 60D bridges the gap between the novice and the seasoned professional with a perfect combination of high speed and quality. ISO capabilities up to 12,800 deliver uncompromised shooting in the dimmest situations, and a vari-angle 3.0" Clear View LCD monitor with Live View function makes framing and viewing a pleasure. The EF-S 18-135mm IS lens offers both wide-angle and telephoto shooting capabilities.

• 18.0-megapixel CMOS sensor and DIGIC 4 Imaging Processor; ISO 100-6400 (expandable to 12800)
• Includes 18-135mm f/3.5-5.6 IS UD standard zoom lens
• Improved EOS HD Video mode with manual exposure control; Vari-angle 3.0-inch Clear View LCD monitor
• 5.3 fps continuous shooting; enhanced iFCL 63-zone, Dual-layer metering system
• Compatibility with SD/SDHC/SDXC memory cards (not included)

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2009 Victory Vegas Jackpot

!9# 2009 Victory Vegas Jackpot

2009 Victory Vegas Jackpot "Lucky Lime" bike. I used my Canon 7D and Canon EF 100mm f/2.8L IS USM 1-to-1 Macro and a Sigma 17-70mm f/2.8-4 DC Macro HSM lens. Most of the videos are "low profile", shot at 24 fps 1080p. I also used a B-W16 DryLin ® linear motion system.

2009 Victory Vegas Jackpot

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Canon EF 100mm f/2.8L IS USM 1-to-1 Macro Lens for Canon Digital SLR Cameras

!9# Canon EF 100mm f/2.8L IS USM 1-to-1 Macro Lens for Canon Digital SLR Cameras

Brand : Canon
Rate :
Price : $996.00
Post Date : Aug 04, 2011 03:26:41
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Product Description

Kit Includes:
♦ 1) Canon 3554B002 - Canon EF 100mm f/2.8L Macro IS USM Lens
♦ 2) Vivitar - Vivtar 67MM Professional MULTI-COATED Glass Filter Kit (UV-CPL-FLD)
♦ 3) Vivitar - Vivitar LCP-1 Lens Cleaning Pen - Removes Dust And Finger Prints Without Scratching Your Device
♦ 4) Zeikos - Zeikos 3pc Lens Cleaning Kit
♦ 5) Zeikos - ZE-BLR Dust Blower (Black)
♦ 6) ButterflyPhoto - ButterflyPhoto Micro Fiber Cleaning Cloth
♦ 7) Zeikos - ZE-LCH1 Lens Cap Keeper - Never lose your cap again!

Canon 3554B002 - Canon EF 100mm f/2.8L Macro IS USM Lens
Canon's newest "L" series lens is its first mid-telephoto macro lens to include Canon's sophisticated Image Stabilization. With the highest quality optics available, combined with near-silent Ultrasonic focusing and life-size close-up capabilities without an adapter, the EF 100mm f/2.8L Macro IS USM is simply unrivalled.

The Multi-Coated 3 Piece Filter Kit (UV-CPL-FLD) is a must have filter to protect your lens.  Glass Multi Coated 3 piece Filter Kit consisting of an Ultra Violet (UV), Circular Polarizer (CPL), and a Fluorescent (FLD) Filter. 
The Dust Blower is an excellent choice to clean your lens.
Lens pen and cloth to keep your lens fingerprint free

Canon 3554B002 - Canon EF 100 mm f/2.8L Macro IS USM Lens 3554B002

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